I'm currently enjoying an amazing visit to New York City and for street photography, it's an absolute dream location, the sheer volume of interesting characters and scenes is almost completely overwhelming, there's just so much to shoot, so much to capture. Quantity however, is still no guarantee of quality and finding those shots that really resonate, that really mean something is still hard, they're just as elusive here as they are in any other city. I'll be posting a full New York photo section when I return.
Mystery
It may well just be my age and I appreciate I may be completely alone in this view but I'm going to say it anyway... I don't understand the modern obsession with selfies, they are a complete mystery to me. We're living in a glorious age, where we each take for granted, the powerful cameras we're so fortunate to have in our phones, what a time to be alive. So with all that photographic power in our pockets and the world being such a complex, beautiful, fascinating place, filled with extraordinary people and sights, what do we choose to photograph? Ourselves, yup, we turn the camera around and snap our own gormless faces, gurning and pouting, searching for the one that makes us look the most attractive. Not such a great time to be alive after all, just a sad time of vanity and narcissism, squandering the incredible tools we've been given and the photographic opportunities they afford us.
As I mentioned right up front, I suspect this might just be a trend that has escaped me as I've seen too many summers but I can't help thinking what a terrible waste it all is.
Until Friday the amount of selfies I'd taken was exactly zero, none, not one, then while working in my studio, I took two minutes to shoot myself. The resultant shot is below, and how awkward it is too, I couldn't even bare to look directly at the camera, the side profile somehow more comfortable for me (even with my somewhat Roman nose!)
I suspect my selfie count will stay at one for ever now, I've not been bitten by the selfie bug, nor do I feel the need to try to make myself look good, I'm happy with my slightly solemn and honest side-selfie, however unflattering.
South Stack Lighthouse
A visit to South Stack Lighthouse is often met with a buzz from my phone welcoming me to Ireland, it's so far up in the top corner of Anglesey! I don't generally take many landscape photo's but the weather was so lovely last night, I thought I'd head over there and see how it looked at sunset.
Headshots
I've shot actor Francis Tucker many times before, probably every year for the last five or six years, his look ever changing and his need for current headshots ever necessary. I'm fairly happy with these, particularly for such a simple set-up, single reflector, no additional fill light and a very quick, ten minute shoot.
Light Leaks
After everything I've said in earlier posts about e(vil)bay 35mm film cameras being incredible value and Lomo being hipster-nonsense, I received some processed film back yesterday and this is what I learned: 1. Not all inexpensive 35mm camera's from ebay are in perfect working order (that should have been obvious right?) and 2. Light leaks and unpredictable results can be cool after all.
The camera in question was clearly in need of new seals, something I suspected when using it for the first time. While the film was away I replaced the seals myself, which, when you see the images below you'll agree was the right thing to do... however, these images are some of my favourite shots taken on film so far. I can't adequately explain why, what characteristics make them appealing, I just know that I like them... and that I regret having fixed it.
I've put two further films through it since which are currently being processed, I sort of hope I've made a mess of replacing the seals and they still leak a little – there's every chance of this as I've not done it before but I did try to do a good job, only time will tell.
They're back!
Well, my processed films came back and I'm pretty pleased. This is not to say the shots are anything outstanding but the fact there were actual images on each of the four films is, I feel, an achievement considering how ham fisted and clumsy I felt taking the shots.
The Tri-x is, as you would expect, really contrasty with short transitions between shadow and highlight but they do have a nice feel. Please excuse the poor quality scans, my scanner is excellent for line art and documents, it's really not a film scanner.
I didn't think with such harsh back-lighting, there would be much on this frame at all but I quite like the silhouettes. With what I've already learned, I can't wait to get back out there, shoot more film and see how I can improve. To be continued...
Setting myself up for a fall
I don't imagine a huge audience, waiting with baited breath for my posts but my apologies for the time since my last post, no excuses really.
I'm of an age where, like many photographers, I straddle both film and digital eras. That said, during the film years, my use of film was limited to holiday snaps and disposable cameras, although, I did have a childhood friend who, being a little older than me had more mature hobbies, photography being one of them. I often dabbled alongside him in his makeshift darkroom, taking enough interest to participate but never fully fathoming or comprehending what I was really doing. I enjoyed the process as much as, if not more than the results, the chemicals, the anticipation, it was fun. Then my friend moved away and my coat-tailing came to an end.
It seems a lot of photographers have a phase of revisiting film, some for the nostalgic joy of it, some to genuinely learn more and to slow down their shooting and others, well, just for the hipster nonsense of it – deliberately accidental light leaks on expired film in plastic lomo cameras and all that stuff.
You can probably already see where this is going can't you? Yup, you're absolutely right, I've been shooting film. Let me back up a bit to the decision to try it. I'm already not much of a 'spray and prey' shooter, I'm pretty conservative with my shutter count, always try to get what I need in an efficient way so already, almost a film shooter mentality.
I'm happy enough with my current digital gear, I do suffer from gear acquisition syndrome like everyone else but not to the same degree as most shooters, but I do have the occasional yearning for old-school rangefinders and dslr's. I don't fully understand modern digital cameras that are designed to look old or 'classic' though, to my eye, they never truly pull it off, looking good from the front and top but ugly as all hell on the back, an awkward hodge-bodge of screen and buttons in sub-optimal positions for use, shoehorned on there, and be honest, which side of the camera are you spending 99% of your time?
To be fully fair, there are some beautiful, although still not perfect ones out there, the new Olympus Pen is an elegant example, looking and feeling almost hand made, lovely knurling and details on the dials but it's still a bit, well, awkward on the back.
Sorry, I've wandered off-topic slightly, where I'm getting to is – I've bought four film cameras, a Zorki-4 from the 50's, a Pentax SV from the 60's, an Olympus OM10 from the 70's and a Canon A1 from the 80's – each with 50mm lenses. Nothing too remarkable there I hear you say but the remarkable thing is, they're all in great shape, are mechanically sound, function beautifully and I bought all four, including their lenses for less than £100 (about $145).
Even if none of them worked, they are beautiful objects and although a bit of a photographer cliché, would make lovely 'decorator items' or 'shelf art' – they're simply nice things. The fact that they work is amazing. The only exception being, I have my suspicions that the longer shutter speeds on the Zorki are not entirely accurate but considering this camera is 60 years old, it's a very minor worry and a small miracle there aren't more significant issues.
So, this is my first post containing no images at all, it's simply me, setting myself up for a terrible fall. I have four films currently being processed and I'll report back when they're in. A few things are likely... my claims that the cameras are in great shape may be shattered when glaring mechanical issues present them selves in the form of light leaks and sticky shutters. What will also be under the microscope will be my ability to even use such old camera's with the limited or complete lack of assistance they provide. The Zorki is a rangefinder with the smallest viewfinder ever which I can barely see through as I wear glasses, the focussing is sketchy at best. The Pentax, like the Zorki has no light meter, so exposures are calculated (approximated?!) in my head... these aren't excuses, well, ok, maybe they are a little bit but I'm fully prepared for whatever comes back, they may be completely blank negatives – anything is possible and I can't wait!
Tokyo
I've not really had chance to breathe since getting back but here's a few images which will be featuring in an upcoming book of street photography, of which I'll post more info when it becomes available. As for Tokyo, well, I fell completely in love with the place and I'm desperate to get back there as soon as time permits. Have a look at some more Tokyo Street images here.
So, the September challenge...
I know that in this age of Instagram, one photo a day is completely insignificant, almost meaningless, particularly on a website blog with practically no viewers/readers but that wasn't the point at all. The point was to force me to get out there and shoot each day, to go out even when exhausted, to just practice more and to learn more. In those respects it was a success, I screwed up, I made daft mistakes but I practiced and I learnt a lot.
When I started this challenge, I used the 'learning to play guitar' analogy and I think that still stands, you have to pick up your guitar every day and play the damn thing, same with your camera – I played many bum notes throughout the month, I fluffed more shots than I nailed but out of 30 days shooting, I did actually get four shots I'm happy with, four shots I would be happy to show people - I've put them together in the gallery below.
ONE A DAY CHALLENGE – 30 SEPTEMBER
Ok, last one then! As ever, I just missed the mark with this one, just missed the focus, managed to focus on the bridge, with the mother and daughter slightly soft. The composition is ok though, I got the overall picture I was looking for but it's not technically very good.
ONE A DAY CHALLENGE – 28 SEPTEMBER
Although this looks like the result of a cross-processed film experiment, it's straight out of the camera and is exactly as I saw it – the ropes, green with moss and mould, the rust breaking through the ancient paint.
ONE A DAY CHALLENGE – 27 SEPTEMBER
If this anchor looks huge it's because it really is! I was really fortunate with the timing, notice the shadow under the anchor, the sun was perfectly aligned with its spine, the crescent shadow from the curved hooks fitting perfectly in the circle.
ONE A DAY CHALLENGE – 26 SEPTEMBER
Speedy little fella! I tracked him past hoping for a bit of background blur but my shutter-speed was too fast so he's frozen completely.
ONE A DAY CHALLENGE – 25 SEPTEMBER
I generally prefer black and white for street photography but the colours were too striking to convert it.
ONE A DAY CHALLENGE – 24 SEPTEMBER
Well yet again, the light wasn't being kind to me (it's horrible!) but I'm going to pop back on a better day. I do quite like the composition but it could use a focal point, a person passing through maybe, between the windows with a slow-ish shutter for a bit of motion blur.
ONE A DAY CHALLENGE – 23 SEPTEMBER
This isn't really a 'proper' landscape photo, the light was just so brilliantly odd but I didn't have a tripod or a graduated filter or any other landscape photography essentials with me so it's just a 'hand-held snap', well, 'an awkwardly balanced on my knee snap'.
ONE A DAY CHALLENGE – 22 SEPTEMBER
An overcast and grey day but the rust was still too lovely a texture not to snap.
ONE A DAY CHALLENGE – 21 SEPTEMBER
I've read many books about composition, each explaining that the eye enjoys triangles and will seek them out within a composition, most people finding them pleasing. Therefore I seek them out myself, I look for converging triangles wherever I go... today I found only circles, everywhere I looked, circles and more circles... what the...?
ONE A DAY CHALLENGE – 20 SEPTEMBER
Higgledy-piggledy chimneys on the rooftops of Conwy town, from the castle walls.
ONE A DAY CHALLENGE – 19 SEPTEMBER
I said right up front that this would be a month of learning and indeed it has been – rookie error No.05 – Leaving on my circular polarising filter from a job the day before and not realising, only to discover the colours are unnatural and weird. I make a determined effort not to 'chimp' while out and about shooting, to trust what I'm doing but if I'd 'chimped' just once I'd have noticed the filter. I know I could have corrected this before posting but I've chosen to show it in all it's oddly saturated glory – it sort of looks like a Visit Austria Holiday Brochure from the 70's.